Paper Cut Workshop for Mother’s Day @Amuse Museum in Asakusa

I will deliver Paper Cut Workshop for Mother’s Day during a group show at Amuse Museum in Asakusa next week. The participating artists and makers are Mieko Okazaki, a Sakiori weaver, Saori Hibi, a beeswax maker and Mayumi Arakawa, a paper artist. Please come and see our art and craft works. Of course, for workshop, too!

25-30 April 10am-6pm ( 30 April :close at 4pm)*Entrance Free

Venue:Amuse Museum2nd Floor Gallery Space





2017/04/25(TUE)-30(SUN) 10:00-18:00(最終日16:00まで)*入場無料

会場:アミューズミュージアム2F 手仕事のギャラリーとマーケット

裂織Matou 岡崎美恵子­『布』email:

荒川真由美 『紙』email:

ゆらり本舗 『蝋』email:


荒川真由美『切り紙ワークショップ~Mother’s Day~カーネーションを贈ろう~』


日時)4/27(木)4/29(土)①11~13時 ②14~16時   4/30(日)①11~13時

会場)アミューズミュージアム2F 手仕事のギャラリー&マーケット

人数)各回6名 *はさみやカッターが使える方




参加希望日時、希望作品(AまたはB)、お名前、ご連絡先を明記の上、4/25まで へお申込み下さい。当日の参加もお問合わせ下さい。

What is Papercutting? @ Asagaya Library


Here is the slide show of Workshop and Exhibition for Papercutting at Asagaya Library. Enjoy!

About Book Art Exhibition at Library

Through my experience of an exhibition for papercutting at library, I found that the place has a great potential to introduce book art to people. In this essay, I will state what brought me to that point and how I showed my work there. I will also report two days papercutting workshops I delivered there.

I had an exhibition for papercutting at Asagaya Library, one of public ones in Tokyo, Japan. This exhibition planned by the library was held from 15th to 20th March in 2017 and showed both papercutting and artist’s book. The aim of the show was to showcase the art of papercutting to the local people alongside running a feature on books of papercutting for four weeks.

One of the reasons why I felt that library is a suitable place to show books as art objects to people is simply because of art related to books. Some artists work with paper and the book format and I am the one, either. In terms of the definition of what book art is, there are a variety of ways for thinking of and presenting the book work depending on artists. There are books called ‘altered book’ and ‘object book’. In some books, you might not see any texts at all and even the structure has no book format. Some are, rather, made exploring their sculptural possibilities. The books may contain prints, paintings and collages for the support materials. As for me, book art is the art in book format created by interpreting and exploring the medium in our own way. Personally, I still like an idea of personal connections with books, because it creates an intimate space between a book and the reader. When we open the pages, the written images suddenly appear in our heads and then we will start our journeys to other worlds. My creations literally pop up in front of the audience in that way. This is why I have work with paper in the book format over years.

Literature has been a rich source for many artists. Some of my exhibited works drew those inspiration from the texts. Therefore, one of what I did in the show was putting my art book and the related original book together for the display, so that the audience could understand how I interpreted the story and what came out from as a result of that, when they see the work. Furthermore, they might be able to open-up their eyes to a new way of enjoying books. The fact is this was proved in the gallery talks with the audience. I realized how important telling about my ideas behind the work is to the viewer. If my art books give them a chance to read the original story, that’d be wonderful and it is worth while showing the book work at library.

About Papercutting Workshops at Library

During the show, I delivered two days papercutting workshops for people in a wide range of ages. What the library did for the display of its book shelves for nearly a month was a special feature on books of not only Peter Rabbit and Beatrix Potter, but also the landscapes and culture of England she lived, as well as books of papercutting. Therefore, the workshops were constructed taking into considerations on the subjects, such as above. The activities were to offer an opportunity of papercut techniques. Some of my papercutting were also displayed on the each shelf with featured all those books.

What’s remarkable during the workshops for papercutting is the silence. When people start to cut a sheet of paper with scissors, the silent comes soon and stay long with both adults and children. I had the same experience many times in my workshops, not only in Japan but also in UK. In my opinion, people might find peace through the activity of cutting paper with scissors and could be taken into a sort of meditation. The smallest participant this time was 7 and the oldest one was in her 80’s. They worked together in a warm and vital atmosphere filled with joy. I was happy to see that they stimulated each other and learned something new from what they were doing. This is one of positive aspects to work with others in the workshop. You never get the sort of experience as long as working alone. I like to see a moment their creativity starts to spark.

It never ceases to amaze me how colours make difference in their creation. Even they use the same paper pattern for a cut, the combination of colours by the individual selection makes a big difference. This is one of enjoyable aspects for papercutting.

Many good feedbacks through this experience encouraged and assured me the possibilities of library as a place to show book art to people. It might have been the first small step, but I believe that it was a firm one. I also found that many people have never seen even the art of papercutting, I heard that a girl in my workshop came back to the library the other day and said to her friends how fun the workshop was, then eagerly explained about my work showing them my papercutting. I was very pleased to hear that story.

So the paperscissorsbook that I took participated in last year in the north of England is still ongoing here in Japan. Why don’t you try a papercut with scissors? Simply just for a fun.

Asagaya Library Presents ‘What is Papercutting?’  March 7~April 2 2017

Related Exhibition「Mayumi Arakawa Art of Papercutting」March 15~20 2017

Related Display in Bookshelves

「Book of Peter Rabbit」 March 1~20 2017

Book of Beatrix Potter and England」March 7~April 2 2017

Book of Papercutting」March 7~April 2 2017


阿佐谷図書館特別展示「荒川真由美・切り紙の世界」から レポート2

スライドショーはこちらClick here for a slide show of Workshop and Exbition for Papercutting.


















スライドショーはこちらClick here for a slide show of Workshop and Exbition for Papercutting.

掲載写真提供 阿佐谷図書館 Photo by Asagaya library

[企画展示] 切り紙ってなあに 期間:3月7日(火)~4月2日(日)


特別展示「荒川真由美・切り紙の世界」3月15日(火)~3月20日(月) 2階 展示室 一部展示 3月5日(火)~4月2日(日)1階 展示コーナー・ 2階 児童コーナー

「ピーターラビット」 3月1日(水)~3月20日(月)1階入口

「ビアトリクス・ポター のいた英国」3月7日(火)~4月2日(日)1階 展示コーナー

「切り紙ってなぁに?」 3月7日(火)~4月2日(日) 2階 児童コーナー


阿佐谷図書館特別展示「荒川真由美・切り紙の世界」から レポート1

スライドショーはこちらClick here for a slide show of Workshop and Exbition for Papercutting.

日本ではまだあまり馴染みのない『ブックアート』について少し書いてみたいと思います。「ブックアートとは?」という解釈については、作家によって様々ですが、大まかに言って『本という形態に独自の解釈を行い表現するアート』と言えるのではないかと思います。その表現方法は作家によって様々で、元々ある本をつくり変えるaltered bookといわれるものから、立体やモノとしてのobject bookなど本とはいっても全くテキストのないものや、もはや本としての構造に囚われない全くのオブジェや彫刻のようなものまでを含みます。本の中身としては、自作の版画や絵、コラージュなどが使われることもあります。






スライドショーはこちらClick here for a slide show of Workshop and Exbition for Papercutting.

掲載写真提供 阿佐谷図書館 Photo by Asagaya library

[企画展示] 切り紙ってなあに 期間:3月7日(火)~4月2日(日)


特別展示「荒川真由美・切り紙の世界」3月15日(火)~3月20日(月) 2階 展示室 一部展示 3月5日(火)~4月2日(日)1階 展示コーナー・ 2階 児童コーナー

「ピーターラビット」 3月1日(水)~3月20日(月)1階入口

「ビアトリクス・ポター のいた英国」3月7日(火)~4月2日(日)1階 展示コーナー

「切り紙ってなぁに?」 3月7日(火)~4月2日(日) 2階 児童コーナー